Wednesday
Mar202013

The Land

 

The Land

By Jessica Litwak, with Amir al-Azraki 

May 16-18, 2013
Thursday, May 16, 8 pm
Friday, May 17, 8 pm
Saturday, May 18, 7 pm AND 9 pm

10 Channel Center Street
Fort Point, Boston

All performances are free (donations accepted).
Click here for reservations or call
1-800-838-3006

Fort Point Theatre Channel will stage a workshop production of The Land, a new play by Jessica Litwak, a U.S. playwright, with Amir al-Azraki, an Iraqi playwright. The first script of its kind, collaboratively developed by U.S. and Iraqi theater artists, The Land is being workshopped as part of the development of the work toward future full productions. The play is based on an idea by Litwak and al-Azraki.

The story merges the fantastic and the realistic as it moves across time and geography and traverses the worlds of the living and the dead. It is a tragic-comedy about two soldiers, one from Iraq and one from the U.S. Although both have been killed, they come to see the horror and humor of their lives while a gravedigger poet buries them. As the gravedigger rushes through his job, they go over their lives, from history to religion to the women they love and will miss. They come to a reconciliation and are motivated to make peace in the afterlife. Meanwhile, their mothers, on opposite sides of the world, come to terms with sorrow, rage, and regret. They meet years later to ask each other: Is understanding possible? Is forgiveness possible? Is peace?

The Cast

Lisa Caron Driscoll
Ahmad Maksoud
Sally Nutt
Michael Dwan Singh
Wilkinson Theodoris

The Staff

Anne Loyer, Production Designer
Marc S. Miller, Director
Sarah Asbury, Stage Manager
Hana Pegrimkova, Props, Masks
Ida Aronson, Lighting Designer
Meredith Magoun, Costume Designer
Erin Anderson, Makeup
Samual Lasman, Dramaturg

Our production is part of Tamziq: Scattered and Connected, a long-term collaboration of Anne Loyer, an artistic director of FPTC, with the Joiner Center for the Study of War and Social Consequences at UMass Boston, where she is artist-in-residence. The multifaceted project creates opportunities for dialogue with and within two communities: Iraqi refugees resettling in Massachusetts and veterans returning from Iraq and Afghanistan. It seeks to explore and stimulate conversation about the impact of war on the communities and cultures of Iraqi and other Arabic refugees; the impact on education; and the related topics of gender, human rights, storytelling, and differences between American and Arabic perspectives.

Other main parts of Tamziq are:

American and Middle Eastern Artists: A Conversation in Art, March 17-April 27, 2013, Arsenal Center for the Arts, Watertown: This exhibit will feature local and international artists from the United States, the Middle East, and its Diaspora. An artist panel, reception, and film screenings will take place during the spring. 

Artist Network: Creating a community of local American and Middle Eastern artists in Boston. Meetings, supported by professionals and academics specializing in area studies, art/politics, and other relevant fields, will lead to work for the exhibit.

Education: With the goal of developing mutual understanding that goes beyond the media portrayal of our respective cultures, the project is partnering with playwright Amir Al Azraki at the University of Basra to explore opportunities for educational projects involving students in Iraq and the United States.

As part of Tamziq, Fort Point Theater Channel is also producing staged readings and other productions of works by Middle Eastern playwrights. The first reading, an excerpt from Waiting for Gilgamesh, took place at HallSpace Gallery in Dorchester, June 20, 2012, during Icons, an exhibition of work by Anne Loyer, with pieces by Aaron Hughes and Matt Thompson. Icons is a series of art works that has grown out of interviews with U.S. veterans of the Iraq war and with Iraqi citizens, recorded over the past three years. This was presented in conjunction with Danny Bryck reading an excerpt from his one-man play, No Room for Wishing.

For more information on Tamziq: Scattered and Connected and the Odysseus Project, see http://www.odysseusproject.org/tamziq.html.

 

Monday
Mar182013

Facing Down Death

OperaHub in collaboration with Fort Point Theatre Channel
presents

Facing Down Death

June 21-23, 2013 at 8 pm
10 Channel Center Street
Fort Point, Boston

 

Featuring:

Erik Satie's Socrate 

and

Excerpts from Erin Huelskamp and Christie Lee Gibson's The Ten Block Walk: An Old Person's Odyssey

Socrate

Written to be performed by the Princesse de Polignac and her lovers, Socrate plays with text from Plato about Socrates and his followers.  How can they emulate his calmness that they so admire when he as about to die?

The Ten-Block Walk

FPTC member Christie Lee Gibson, librettist, is collaborating with composer Erin Huelskamp on this one-act chamber opera and movement-based theatre piece. The Ten-Block Walk follows Mrs. Otis as she journeys from her home to the local senior center. This is a piece about being present, about taking time and taking in your surroundings and responding to them. It is about persistence in the face of pain and obstacles and handicap, and about understanding that when you achieve your goals, often after great physical and mental exertion, it doesn’t always look or feel like you think it’s going to.

Thursday
Jan242013

The Good Person of Setzuan

 

"There are a lot of good reasons to see the Fort Point Theatre Channel Production of The Good Person of Setzuan."--Boston Events Insider

Click here to read the full review.

THE GOOD PERSON

OF SETZUAN 

By Bertolt Brecht
Adapted by Tony Kushner

Directed by Christie Lee Gibson
Music Composed by Nick Thorkelson
Music Performed by The Carny Band
Production Designed by Anne Loyer
 
February 21-March 9, 2013
10 Channel Center Street
Fort Point, Boston

Click here to view photos.

About the Production

Bertolt Brecht and Tony Kushner are among the most entertaining and provocative playwrights in the history of theater. Put them together for The Good Person of Setzuan and the result was an exhilarating parable of love and money, written by Brecht when fascism was rising in Europe and grounded by Kushner in the social and economic realities and relations of our own time.

As the tale begins, a motley crew of three gods arrives in Setzuan. They are searching for one good person who will be revealed simply by offering them a bed for the night. But everyone fears a visit from the gods--except for the prostitute Shen Te. She takes them in, and they reward her handsomely so she can do good for all who need her help. Soon, though, Shen Te is up against a dilemma: more help is needed than she can possibly give. As she sings to the gods, with new music composed for this production, “To be good and to live/Split me, like lightning, in two.”

FPTC core member Christie Lee Gibson directed The Good Person of Setzuan. An opera singer, actress, and creator/producer/director/coach of musical-theatrical happenings, Gibson points to the great story that Brecht and Kushner tell. A trio of rising young Boston actors led a cast of 18, playing some 30 roles. Emerson College senior Kelly Chick balanced the two halves of Brecht’s challenging leading role: as Ms. Shen Te, the prostitute, and as her alter ego, Mr. Shui Ta, the strict businessman. The dual role reflects the conflicting forces that pit the human quest to survive against the equally human desire to be good.

Alan Sevigny, who recently received his Bachelor’s of Music Education from the University of Maine, played Te’s friend Wang, the hapless water seller. Jeff Marcus, who recently appeared in Blood Rose Rising and Our Town, played Shen Te’s lover, employee, friend, and foe: the would-be mail pilot Yang Sun.

The production took place in the temporary home of Fort Point Theatre Channel, a vacant 5,000 square-foot commercial space in an artists’ neighborhood threatened by explosive development. Despite that large space, seating will be limited. FPTC visual artist Anne Loyer, who led the design team for The Good Person, and Gibson conceived an intimate production that brings the audience and the actors together to explore basic questions about living in our modern world.

Loyer’s design, with movable screens and giant fans manipulated by the actors as set crew, drew on her work as a visual storyteller throughout her career. Her work has ranged from two-dimensional fine art, to narrative animations, to public art projects and performances that incorporate audio and video in collages based on the lives of real people. Loyer also co-curates Tamziq, Scattered and Connected, a multifaceted international and local collaboration between artists and students from the United States and the Middle East, with a focus on Iraq. 

In addition to Loyer, the design team included costumer Silvia Graziano (who is also FPTC resident playwright) and the puppet/mask/props team of Hana Pegrimkova and Patrizia Rodomonti.

FPTC founding member Nick Thorkelson, the composer, led the four-piece Carny Band, providing original live music for the play's many songs. Just as Brecht and his collaborators created theater songs based on German dance hall music of their era, the Carny Band carried the tradition forward in musical riffs derived from doo-wop balladry, gospel, new wave, gypsy jazz, and more from our own times.

Thorkelson has performed in various rock, blues, soul, and reggae bands, including Boston’s first reggae band, Jamaica Hylton. He co-wrote and helped stage a workshop production of Defarge, a musical based on A Tale of Two Cities. Collaborating with Thorkelson was his brother, Peter Tork, formerly of The Monkees.

The Cast

Olivia Brownlee, Unemployed Woman
Kelly Chick, Shen Te/Shui Ta
Mary Driscoll, Rug seller’s wife
Lindsay Eagle, First God, Bonze
Paola M. Ferrer, The Wife
Kevin Groppe, Third God, Husband
Tasia A. Jones, Mrs. Shin
Ron Lacey, Shu Fu, Brother
Rebecca Lehroff, Landlady, Mi Tzu
Kathleen Lewis, Second God, Sister-in-Law
Jeff Marcus, Yang Sun
Marc S. Miller, Rug seller
Sally Nutt, Mrs. Yang
Alex Roy, Police Officer
Alan Sevigny, Wang
Maya Sugarman, Niece
Francesco Tisch, Carpenter
Rick Winterson, Grandfather 

The Staff

Erin Anderson, makeup designer
Ida Aronson, lighting team
Sarah Asbury, assistant stage manager
Dawna Davis, house manager
Rick Dorff, design team
Maureen Festa, costume associate
Kristen Fumarola, choreographer
Silvia Graziano, costume-makeup team
Anne Loyer, design team leader
Mike Marano, dramaturg
Marc S. Miller, producer
M'Talewa, band member
Hana Pegrimkova, props, masks, puppetry
Larry Plitt, band member
Patrizia Rodomonti, props, masks, puppetry
Todd Sargent, lighting design
Amanda Sheehan, production manager, stage manager
Don Stevenson, band member
Alix Strasnick, master carpenter
Nick Thorkelson, composer, band member
Peter Tork, co-composer, band member
Douglas Urbank, design team
Dan J. van Ackere, photographer, design team
Mark Warhol, sound design 

 

Sarah Asbury, assistant stage manager

Monday
Oct012012

Looking ahead

Watch this space for news of our next events. Sign up to receive email notices of the latest news, including calls to submit your new work for Exclamation Point!

We are developing a number of projects, to be presented in 2013 and beyond. Here's a hint.

A Better World

A Better World, a “devised play with songs and comics,” explores the themes of optimism and life choices. It tells the story of a young person going to the San Francisco Bay Area at the end of the beginning of the seventies to play rock n roll and create revolutionary pamphlets. The hero lands in a household of women’s liberation activists, who suggest an entirely different course of action. The story is based on “A Better World Is Possible,” a book-length comics memoir-in-progress by FPTC member Nick Thorkelson. The production will feature new music by Thorkelson and by FPTC’s Mark Warhol, as well as songs from the historical moment.

 

Generational Legacy Project

FPTC is contributing to this project of the nonprofit, On With Living and Learning, Inc. Legacy is led by FPTC member Mary Driscoll, who also directs OWLL, a nonprofit that uses theatre to give voice to marginalized people and assist their transition to productive citizenship. Its work creates a medium for public dialogue to promote economic opportunity and active engagement for all members of a community. Legacy probes the question of how being born into a legacy of poverty and prison affects succeeding generations. Combining theatre and music, it is “verbatim theatre,” weaving together personal testimony and research to explore social justice issues—in this case, for people who have been incarcerated for nonviolent crime and are facing the challenges that arise when reentering their communities.

 

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Saturday
Sep222012

Travels with Franny

photo copyright © 2012 by Sonya GropmanTRAVELS WITH FRANNY
A True & Faithful Account of Our Road Trip with Franz Kafka
Don Gropman reading from his novel-in-progress

FREE!

Sunday, September 30, 2012
10 Channel Center Street
Fort Point, Boston

Don Gropman writes fiction, nonfiction, and poetry. He has published several nonfiction books, including Say It Ain't So, Joe, a life of the old baseball player Shoeless Joe Jackson, for which he was honored by the Mark Twain Journal for "his contribution to American biography." His books have been translated into Japanese, Spanish, and Portuguese. A chapter of Travels With Franny recently appeared, in translation, in Udsyn, a Danish magazine. He has published numerous articles, reviews, and short stories; his work has appeared in The Best of Yankee Magazine, The Best American Short Stories, and other prize anthologies.

Franny Swims with the Dolphins. photo & collage copyright © 2012 by Donald S. GropmanGropman read from his novel-in-progress TRAVELS WITH FRANNY: A True & Faithful Account of Our Road Trip with Franz Kafka, a work of fiction in which Franz Kafka is reimagined as a character named Franny. To paraphrase Marianne Moore, the author aims to present an imaginary toad in real gardens.

The Fox in the Garden. photo & collage copyright © 2012 by Donald S. Gropman

 Franny Soars Over the Altenberg. photo & collage copyright © 2012 by Donald S. Gropman